Raised in Kolkata, Rituparno Ghosh, 46, started out as an adman before transitioning to films. His second film Unishe April won the 1995 National Film Award for best film. Since then, he’s been a fixture on the international festival circuit with 15 more Bengali, Hindi and multilingual features, often using Bollywood stars like Bipasha Basu and Amitabh Bachchan. Now for the first time, Ghosh has acted in a film — in a double role. Kaushik Ganguly’s Arekti Premer Galpo (Just Another Love Story) has Ghosh playing a gay film director who has a stormy affair with his bisexual, married cinematographer. The plot involves Ghosh’s film crew making a biopic of Chapal Bhaduri, a veteran transgender jatra actor who played women’s roles. The film also presents flashbacks with the whole cast doubling up in an earlier era of Bhaduri’s youth, with Ghosh playing the young Bhaduri. As production designer and creative director, Ghosh also controlled most of the film’s visual aesthetic and editing. He has also just wrapped up playing the role of an adman in a second film called Parapar.
Did the two femininities in both your roles attract you?
No, it was a challenge. Chapal da speaks in a feminine voice because he’s trained that way [imitates a falsetto]. It’s a peculiar voice. It’s very difficult to portray your emotions in an unnatural voice.
Did you model Chapal da on any of the actresses you’ve worked with?
No, because an actress, and a man playing an actress, have two kinds of sexual confirmations by society. If I’d modelled myself on an actress it would’ve been a normative sexual confidence, which I didn’t want to portray. The man I’m playing is reticent and old and not the diva that he used to be. We had a sequence where he walked in and smiled, and the way he sat with an extra femininity was important. He is not [just] a woman, he’s an extra woman — to prove his performance. I met him on the sets but I didn’t want to become too familiar because I didn’t want to mimic him.
So how was your modern character’s femininity different?
I play him with an extra femininity because he’s more than 10 years younger to me. At that age you want to prove you’re a gay activist. There’s a flamboyance to justify my [character’s] existence and validate my relationship with my boyfriend. Professionally, I’m the senior [but in] the couple he’s the man and I’m the woman, so I have to play myself down.
In the distance between Section 377 and the death of the AMU professor SR Siras, what is our society’s confusion?
Section 377 has created a polarity between homosexuals and heterosexuals. It doesn’t deal with the entire matrix of sexualities in between these two polars — that’s where androgyny lies. I think that has remained pretty grey, nobody is looking into that. This film deals with various sexualities which can’t be classified into two distinct social classifications. I think homosexuality is becoming a stereotype now.
Are you eager to act again?
Maybe, if it’s interesting, but not after the second [film]. I shouldn’t have done two films in a row. Direction is easier.
Is compassion important to get good performances from actors?
Yes, actors need to be pampered [since] they’re insecure. Even Amitabh Bachchan complained that after a shot, I never say: “Wonderful, very good.” I say, “Cut. Next shot.” There isn’t a single kind word from me and he used to wait for it. As an actor now, I know how important it is for the director to tell you if it’s a good shot.
Why are your movies preoccupied with exploitative film directors?
I’ve seen a certain ruthlessness in filmmakers, including myself — the creator’s selfishness. Ruthless towards anything that hinders the film and so his personal gain — I want to make this film because I want to make great art and become famous. Human compassion isn’t allowed.
Why do you want fame?
To be in circulation. Then I’ll have producers coming to me. I don’t think I’m a great filmmaker. But I want to keep the myth of a great filmmaker alive through the fame. I don’t think my films are great films — they’re just competent films.
Have your recent public appearances in feminine attire been due to this film or out of a personal choice?
My appearance is more androgynous than feminine. My public appearance has nothing to do with my films — Kaushik can’t be blamed for what I do in my personal life! [Laughs.] Nobody should be held responsible for that.